Meet the Faculty

Faculty

Julie Marquet | Faculty

Julie was born in Perpignan, France. She started her dance education at the age of five at the Ecole de Danse Classique Pascale Pavageau in Perpignan. In 2001 she continued her training at the Ecole Nationale Supérieure de Danse de Marseille and graduated in 2005. After graduation she danced at the Opéra Municipal de Marseille in the Corps de Ballet. Julie was a Corps de Ballet member of the Stuttgart Ballet from 2006 – 2015. Her repertoire includes La Sylphide (Schaufuss), Othello (Neumeier), Romeo and Juliet (Cranko), Swan Lake (Cranko), among many others. She joined Tulsa Ballet as a member of the Corps de Ballet for the 2016-2017 season, and retired the following year to join our full-time TBCDE Faculty and raise a family with husband and Principal Dancer Arman Zazyan.

Carla López Ponlla | Faculty

Born in A Coruña, Spain, Carla trained at the Professional Conservatory of Dance  with Luciano Gómez and Carmen Ponlla. She danced with Ballet Carmen Roche, Zürich Junior Ballet, Víctor Ullate Ballet and Barcelona Ballet, where she performed Soloist roles under the artistic direction of Ángel Corella.

Carla won first prize in the National Dance Competitions of Zaragoza, Torrelavega and A Coruña (Spain) before joining Tulsa Ballet in 2012 as a member of the Corps de Ballet. Her repertoire with the company includes There, Below (Kudelka), Classical Symphony (Possokhov), One/End/One (Elo), Company B (Taylor), Uniko/Juxtaposed (Cong), Blue Bird Pas de Deux (Angelini), Bolero (Fonte) and In The Middle, Somewhat Elevated (Forsythe), and Infra (McGregor), among others.

In 2016, Ms. López retired from the company in order to join our full-time TBCDE Faculty.

Beatrice Sebelin | Faculty

Beatrice graduated from the school of the Teatro all Scala in 2002. She then joined the Teatro all Scala Company, where she danced from 2002-2003, and later danced with the Compagnia Neoclassica di San Remo del Teatro Ariston and Compagnia Nazionale Italiana of Rome. She joined Tulsa Ballet in 2008 from Balletto di Milano, and was promoted to Soloist in 2013, where she performed until retirement in 2016. She has performed works by Nacho Duato, Paul Taylor, Christopher Wheeldon, Jorma Elo, Wayne McGregor, Edwaard Liang, Val Caniparoli, Adam Hougland, Nicolo Fonte, Alejandro Cerrudo, William Forsythe and Ben Stevenson. Her repertoire includes The Sleeping Beauty, Excelsior Ballet, Notre Dame de Paris, Romeo and Juliet, Giselle, In the Middle, Somewhat Elevated, Rooster, Gnawa, Company B and The Nutcracker.   

Yi Wang | Faculty

Yi was born in ChongQing China, and studied at the Beijing Dance Academy (Vaganava curriculum) in Beijing, China. While there, he received full scholarships every year for seven years and graduated with Honors . He was awarded a gold medal in the Junior Ballet Group of the Fifth National Juvenile “Tao Li Cup” Dance Competition in 1997, Junior Finalist at the Paris International Ballet competition in France in 2000, and Third Prize (Bronze Medal) in the Senior Division (age 20-25) at International Ballet Competition in Helsinki, Finland in 2001.

Yi danced with Tulsa Ballet for six years as a Principal member of the company. Prior to dancing with Tulsa Ballet he was First Soloist and Principal with Zurich Ballet in Switzerland and Universal Ballet in South Korea. During his 13 year performing career, Yi has performed principal roles in works by William Forsythe, Jiri Kylian, George Balanchine, Nacho Duato, Marcello Angelini, Ben Stevenson ,Twyla Tharp, Hans van Manen , Kenneth MacMillan , Ma Cong, Heinz Spoerli, and others. Yi has been invited to the Final Gala of the Youth American Grand Prix in New York City as the Guest of Honor, and the Denver International World Star Performance to give a Guest Star Performance.

In 2012 Yi retired from performing and began teaching. He returned to China to work with ChongQing Ballet as a Guest Ballet Master/Choreographer for a year. While there, he created his first full length ballet Finding Shangri-La. He developed his own ballet workshop in ChongQing with more than 150 students, and also worked with the Chinese Dancers Association to create educational programs for children’s dance. Yi has been invited to provide instruction for dance teacher training throughout China and has trained over three hundred teachers in the past three years.

In 2016, Yi returned to Tulsa Ballet to join the Center for Dance Education as a faculty member and is excited to start his new career.


Additional Faculty